U O M Power Center for the Performing Arts
The University of Michigan School of Music, Theatre, & Dance announces its render to alive performances for the upcoming 2021-22 flavor. The production will feature 10 fully-staged shows and i studio production, which will run from September 30 to April 17, 2022.
As more venues open up upwardly, information technology can be expected that upcoming shows will too include accommodations to increment safe. For the UM School of Music, Theatre, & Trip the light fantastic toe, these accommodations include working with guidelines provided by the Michigan Department of Health and Human Services and the University's public-health authorities to ensure all venues take the necessary condom measures, changes to the commutation policy which will allow more flexibility for those who are ill or have been exposed to COVID-19, and the introduction of a new subscription parcel.
The new bundle, SMTD Flex Series, will let audition members to option four shows to attend at a discounted price. The Flex Series joins the existing Ability Series, which will let audience members to purchase all 4 shows at the Power Center for the Performing Arts at a discounted price.
"Our goal this year is to return to creating the same high-quality productions you've come up to know and beloved while providing more than flexibility to improve arrange our audiences' health and safety needs," said Jeffrey Kuras, executive director of the school'southward Academy Productions.
In add-on to jubilant the return of the alive audience, the school will be celebrating the 50th ceremony of the Power Eye for the Performing Arts. The theatre has been a host to many university and community events and has become a vital office of the culture of the Ann Arbor surface area. The celebration focuses on the many donors from the community who fabricated the Power Center's construction possible.
Ability Series renewals will begin on August 2. Tickets and packages will be available to the public beginning September i. The University's website will presently have information on box-function hours, updated ticketing policy.
Click here to learn more well-nigh the upcoming production flavour.
Here is the current theatre line-upwards for the upcoming season.
Autumn SEMESTER
September 30–October x at the Arthur Miller Theatre
The Section of Theatre & Drama presents
NORA: A DOLL'Due south HOUSE
Written by Stef Smith
Afterward the archetype play by Henrik Ibsen
Directed by Malcolm Tulip
Nora Helmer has been a feminist icon since her offset appearance in 1879 as the atomic number 82 graphic symbol in Henrik Ibsen'south then-controversial A Doll'southward House . One hundred and twoscore years later, Olivier Award-winning playwright Stef Smith has reshaped Nora's singular struggle for financial and emotional independence into three characters, setting three Noras on parallel paths in different fourth dimension periods. Every bit their stories unfold, shifting cultural expectations exert their force per unit area on each Nora as what it means to be a feminist changes.
Nora: A Doll's House received its premiere at Citizen's Theatre in Glasgow in 2019 before moving to the Young Vic in early 2020.
Oct 7–17 at the Lydia Mendelssohn Theatre
The Department of Musical Theatre presents
THE WILD Party
Volume, Music, & Lyrics past Andrew Lippa (BM ‵87, music education and voice)
Director TBD
Music Management by Jason DeBord
The setting is the roaring 1920s. Lovers Queenie and Burrs decide to throw the party-to-end-all-parties in their Manhattan apartment. Subsequently the arrival of a slew of colorful guests living life on the edge, Queenie's wandering eye lands on a striking man named Mr. Black. As the decadence is reaching a climax, so is Burrs' jealousy, which erupts and sends him into a violent rage. Gun in hand and inhibitions abased, Burrs turns on Queenie and Blackness. The gun gets fired, but who'due south been shot?
A steamy prohibition tale, steamrolling and roaring its fashion across the stage, The Wild Party was an Off-Broadway gem that garnered an array of manufacture accolades, including Drama Desk, Outer Critics Circumvolve, and Obie awards. Based on Joseph Moncure March'southward 1928 narrative poem of the same name, this darkly bright show features i of the most exciting, pulse-racing scores ever written, courtesy of SMTD alumnus Andrew Lippa ( The Addams Family, Big Fish ).
November 4–vii at the Ability Middle for the Performing Arts
The Department of Vocalism and the University Symphony Orchestra present
CINDERELLA (Cendrillon)
Music by Jules Massenet
Libretto past Henri Cain
After the fairy tale by Charles Perrault
Phase Management by Abbigail Coté
Music Direction by Kirk Severtson
The King is throwing a ball in Prince Charming's honor, and all will be in attendance — except for Lucette, known as "Cinderella" to her stepmother & stepsisters — until Cinderella'southward Fairy Godmother steps in. The fairy's spell lasts only until midnight. That'south long enough for Cinderella and Prince Charming to run across and fall in love.
This witty French opera premiered in Paris at the Opéra-Comique on May 24, 1899. Information technology is based on the classic fairy tale as told by Charles Perrault. This operatic version is closer to Perrault's story than the version used in Rossini's La Cenerentola . Its music is full of melodic charm with recognizable arias.
This production volition be sung in French with projected English translations.
November 11–14 at the Arthur Miller Theatre
The Department of Theatre & Drama presents
MEN ON BOATS
Written past Jaclyn Backhaus
Directed by Emily Lyon (BFA ‵thirteen, directing)
In 1869, a squad of 10 men led past naturalist John Wesley Powell set out on an expedition to catalog the Colorado River through the 1000 Canyon — the kickoff white settlers to do so. In 2015, playwright Jaclyn Backhaus set out to satirize the trek and its bold nevertheless big-headed explorers in a comedic tour-de-force that Time Out New York chosen a "thrilling, gender-flipped slice of manifest destiny."
With a cast made up entirely of women, Men on Boats pokes fun at what New York Magazine calls the explorers' "cockiness and cluelessness" in their attempts to exert their control on an unfamiliar (and already populated) environment. "The tone is comic, simply never cute or camp," says the New York Times . "And ultimately, y'all feel, the play respects its assuming if fallible pioneers, in all their natural bravery and fearfulness."
December 2–v at the Power Eye for the Performing Arts
The Department of Theatre & Drama presents
JUNK: THE GOLDEN Age OF DEBT
Written by Ayad Akhtar
Directed by Geoff Packard
Pulitzer Prize-winning playwright Ayad Akhtar takes on the origin story of America'southward fiscal crisis in this fast-paced thriller the Los Angeles Times called "Part Shakespearean history play, part 'The Large Short. '"
It's 1985, and prominent financier Robert Merkin is taking the world past tempest with his willingness to take on higher-risk, higher-yield bonds — what he calls "junk bonds." Equally he sets out to take over a massive steel conglomerate by using its own debts equally an asset, Merkin sets off a financial civil war that threatens to change the world as nosotros know information technology.
December 2–5 at the Arthur Miller Theatre
The Department of Musical Theatre presents a Studio Production of
A MIDSUMMER Night'S DREAM
Written past William Shakespeare
Directed by Vince Cardinal
In that location is much mischief to exist had in Shakespeare's most popular comedy when lovers defy authority and flee the courtroom, only to find themselves caught in a zany web of illusion, romance, and magic in the Athenian forest. Featuring fairies, dearest potions, mixed-upwardly lovers, magic spells, and a pompous rustic sporting a donkey'southward head, A Midsummer Dark'due south Dream promises to bring laughter and a salubrious dose of enchantment.
WINTER SEMESTER
February 3–6, 2022 at the Power Center for the Performing Arts
The Department of Dance presents
DANCE '22 (Title TBD)
Artistic Direction by Judy Rice
This almanac showcase of the best the Section of Dance has to offer will characteristic a combination of works created by faculty and invitee artists, featuring Wideman Davis Trip the light fantastic .
February 17–xx, 2022 at the Lydia Mendelssohn Theatre
The Department of Theatre & Drama presents
ANTIGONE
Written by Sophocles
Poetry translation by David Mulroy
Directed by Sam White
In one of the most compelling pieces of classic theatre, Sophocles tells the tale of Antigone, daughter of Oedipus and sister to Eteocles and Polyneices, one-time rulers of Thebes who have just battled to the death. In their absence, their uncle Creon has ascended the throne and declared it illegal to bury the rebel Polyneices. Antigone refuses to obey Creon'southward order, setting off a tragic conflict of morality vs. law, cruelty vs. love, and human vs. woman. Guest Director Sam White (founder of Shakespeare in Detroit), who led the Theatre & Drama students in last year's production of Romeo & Juliet, volition render to helm this product.
David Mulroy, Professor of Classics Emeritus at the University of Wisconsin-Milwaukee, faithfully reproduces the literal pregnant of Sophocles' words while likewise reflecting his exact pyrotechnics in this translation from 2013. Using fluid iambic pentameters for the spoken passages and rhyming stanzas for the songs, it is true to the letter and the spirit of the groovy Greek original.
March 24–27, 2022 at the Lydia Mendelssohn Theatre
The Section of Phonation and the Academy Symphony Orchestra nowadays
Winter Opera (Title TBD)
The winter opera will be cast in belatedly September/early October and so a title announced presently thereafter.
March 31-Apr 10, 2022 at the Arthur Miller Theatre
The Department of Theatre & Drama presents
SOMEBODY'S CHILDREN
Written by José Casas
Directed by TBD
In the shadow of Disneyland lies the El Dorado, a run-downwards motel for those without permanent housing. Through a series of spoken-word verse vignettes, five teenage residents share their lives and their dreams as they struggle to survive the challenges of beingness homeless in America.
Written by Assistant Professor José Casas, somebody's children was a winner of the 2009 Waldo Thou. and Grace C. Bonderman Playwriting Workshop and was featured in a rehearsed reading at the Indiana Repertory Theatre, Indianapolis. somebody's children was originally commissioned past Found Spaces Theater Company.
Apr 14-17, 2022 at the Ability Eye for the Performing Arts
The Department of Musical Theatre presents
Hair
Book & Lyrics by James Rado & Gerome Ragni
Music past Galt MacDermot
Directed and choreographed by Linda Goodrich
Musical Management TBD
Exploring ideas of identity, community, global responsibility, and peace, set up to an infectiously energetic stone crush, Pilus challenges audiences even as information technology wows them with songs like "Aquarius," "Skilful Morning, Starshine," "Easy to be Hard," "I Got Life," and "Permit The Sun Shine In." More than l years later it originally shook up Broadway, the original "American tribal love rock musical" remains as relevant every bit ever.
Source: https://www.ecurrent.com/theatre/university-of-michigan-school-of-music-theatre-dance-announce-upcoming-live-in-person-performances/
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